Canterbury Press in conjunction with the Spiro Ark invite you to BOOK LAUNCH
Date: Thursday 22nd May 2008
Time: 7-9pm
Venue: Camden Arts Centre
Arkwright Road, NW3 6DG
RSVP necessary
The Directors of SCM-Canterbury Press, The Spiro Ark and Ruth Waterman invite you to a reception
in the presence of
Her Excellency the Ambassador of Bosnia and Herzegovina Dr. Tanja Milasinovic
to celebrate the publication of
When Swan Lake Comes to Sarajevo
A Musician Journeys into the Aftermath of War
BY RUTH WATERMAN
Light refreshments will be served
How to get there:
Camden Arts Centre is located at the corner of Finchley Road and Arkwright Road
Underground: Finchley Road (Jubilee and Metropolitan Lines) 500 metres or Hampstead (Northern Line) 850 metres
Rail: Finchley Road and Frognal (Silverlink line) 100 metres
Buses: 13, 268, 82, 113 stop nearby
Parking: Local parking other than for blue badge holders is very restricted except after 7pm.
Paid parking is available at the O2 Centre (400 metres).
978 1 85311 865 4 · 216x135mm · 192pp · paperback · £12.99 · Canterbury Press
To order When Swan Lake Comes to Sarajevo call 01603 612914 or email
"A brave and extraordinary story ... this book is a revelation." Anna Ford
Ruth Waterman is one of the leading concert violinists in the country, and is included in the latest edition of The Great Violinists. She is known for her lecture recitals, BBC broadcasts, and has published many articles in music journals.
When Sawn Lake Comes to Sarajevo
War is always with us, and so is peace. This book is about the peace that comes after a war. It is one woman’s account of her experiences in the new country of Bosnia as guest conductor of a remarkable little orchestra, the Mostar Sinfonietta.
International violinist Ruth Waterman first met the musicians of the multi-ethnic ensemble in 2002, and since then has returned regularly to the region, teaching, conducting and performing, and listening to their stories. Here she describes the nuts and bolts of daily life - in turn frustrating, hilarious and touching: the putting together of concerts despite the odds; the rebuilding of bridges, towns, communities, lives; and how making music can connect us to our essential humanity and to each other.
Ruth Waterman’s writing is humane and down-to-earth, perceptive and inspiring. Interspersed with her diaries and observations are the stories of war and peace by the Bosnians themselves, in their own voices, acts of witness that reveal their courage, despair, resilience and humour.
This intermingling of narrative and first-hand accounts builds a mosaic that provides a visceral introduction to an unfamiliar world where people simply want to ‘live a normal life’.
When Swan Lake Comes to Sarajevo can be purchased from all major bookshops and from http://www.waterstones.com and http://www.amazon.co.uk
Publication date May 8 2008 * ISBN: 978-1-85311-865-4 * Canterbury Press
Ruth Waterman Writes:
I had never been to a post-war country before, though I’d often wondered what happens after the guns are silenced and the media moves on. Encountering Bosnia as a musician rather than as a diplomat or social historian or journalist, I didn’t know how to understand the long uncharted path away from the days of violence.
This is an account of my personal journey, of my experiences and thoughts in the order in which they happened, with all their incompleteness and contradictions and misunderstandings. In a chaotic country, one experience after another piles up, feelings sometimes follow facts at a remove, and the sense of it all emerges only gradually, if at all. In choosing to write without the benefit of hindsight, I have attempted to give a flavour of what it was like to walk in the aftermath of war, to breathe the Balkan air.
At first there was a vague thought of making a radio programme (which was in fact broadcast on BBC Radio 4), so I took a tape recorder in case people wanted to tell me their stories. I was startled, and touched, by the number of acquaintances and strangers who, without invitation, started to talk of their experiences both during and after the war. It seemed part of a deep need to speak, to have someone hear them, especially an ‘international’ as I was called. What they said was so extraordinary that I continued to record them during my subsequent visits. So this book honours the victims and survivors of the Bosnian War by having them speak in their own words, opening an invaluable window onto how a people survive catastrophe, and by inference, how we all survive and live our lives.
